I'll list the Hitchcok films I've watched in June and glance at what else Netflix is sending my way soon enough, but last night's watching The Birds struck me as particularly pertinent to the Islamic Small Wars.
The avian war party in the film features in addition to crows its share of white gulls as well as other species of bird (those sparrows sure knew how to mess up a living room), but all arrive--scouts, squadrons, and main body--as a mission-oriented force of nature. From the first seagull's peck that draws blood from Melanie Daniel's scalp, an act of terror if every there was, to the family's grim retreat from the manse on Bodega Bay, there's much that relates to Islamist and other terror.
Black widows: Chechen suicide bombers whose husbands had been martyred [1]. Director Hitchcock and writers Du Maurier and Evan Hunter probably did not have anything like terrorism in mind as they developed the work, and yet in their insight into the mysteries of conflict, and especially conflict remote from the post-Medieval, post-Renaissance, post-Age-of-Reason mind of the modern, which would characterized the 1960's audience for Hitchcock's films, they may have produced a predictive or prescient metaphor.
Indeed the war involving violent Jihad--its haphazard attacks, suicide bombers, renewals of anti-Semitic rhetoric, and its onslaughts, as that suffered this spring in North Waziristan in Pakistan--may have unfathomable qualities save to those deeply engaged in Islamic studies, and even that with concentration in the language of Jihad and the realpolitik of rogue communities, movements, and even governments.
This passage, which plays shortly before the attack on the village, and one or two others particularly stand out (Sholes captains a fleet of fishing boats; Mrs. Bundy is an amateur ornithologist; Melanie is the rich lady who only drove up to "Bodega Bay" the previous day to fall in love with a lawyer she had met in San Francisco).
SHOLES
I'm only telling you what happened
to my boat.
MRS. BUNDY
The gulls were after your fish, Mr.
Sholes. Really, let's be logical
about this.
MELANIE
What were the crows after at the
school?
MRS. BUNDY
What do you think they were after,
Miss...?
MELANIE
Daniels. I think they were after the
children.
MRS. BUNDY
For what purpose?
MELANIE
To...
(she hesitates)
To kill them.
There is a long silence.
MRS. BUNDY
Why?
Another silence.
MELANIE
I don't know why.
MRS. BUNDY
I thought not. Birds have been on
this planet since archaeopteryx,
Miss Daniels; a hundred and twenty
million years ago!
A TRAVELING SALESMAN ENTERS, goes to bar, listens.
MRS. BUNDY
Doesn't it seem odd that they'd wait
all that time to start a... a war
against humanity?
MELANIE
No one called it a war!
SALESMAN
Scotch, light on the water.
MRS. BUNDY
You and Mr. Sholes seem to be implying
as much.
[1]
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Following the attack on the village, Melanie and Mitch return to the restaurant, and Melanie gets a talking to from a woman with two frightened children in tow (in the script referenced here, this section had not yet been built--I've transcribed the passage):
WOMAN
Why are they doing this?
Why are they doing this?
(to Melanie) They said when you got here the whole thing started.
Who are you?
What are you?
Where did you come from?
I think you're the cause of all this.
I think you're evil.
Evil!
Melanie slaps the woman and the drama continues.
Sound familiar?
It would to a Jew--at least to this one--and it plays with the present leveraging of Israel as the cause of Arab and other Islamic discontent, i.e., the convenient scapegoat, the familiar cause in the dark mirror of their own autocratic evil and violence.
Finally, after Mitch has made his way from house to garage and into Melanie's roadster, he turns on the radio, and finds a news broadcast (also transcribed from the DVD).
ANNOUNCER
The bird attacks have subsided for the time being. Bodega Bay seems to be the center though there are reports of similar attacks on Sebastopal and from Santa Rosa. Bodega Bay has been cordoned off by roadblocks. Most of the townspeople have managed to get out while there are still some isolated pockets of people. No decisions have been announced yet as to what the next step will be, but there has been some disccuion as to whether the military should go in. It appears that the bird attacks come in waves with long intervals between. The reason for this does not seem clear as yet.
Mitch turns off the radio at that point and the drama moves towards its chilling final scenes.
There is Hitchcock's inexplicable avian war.
Cussed nature? Revenge for eating chicken? Outrage at Melanie Daniels' adventurous and forward behavior? Well, the audience will never know and neither will the players.
It only appears that "the bird attacks come in waves with long intervals between."
Cited Reference
1. CNN. "Chechnya's 'black widow' bombers." July 11, 2003: http://www.cnn.com/2003/WORLD/europe/07/11/russia.black.widows/index.html
2. Maurier, Daphne Du (story) and Evan Hunter (screenplay). "The Birds." Final Draft, 2nd Revision, March 2, 1962. Via Script-O-Rama: http://www.script-o-rama.com/movie_scripts/b/the-birds-script-screenplay.html
Hitchcock, Alfred, Dir. The Birds. Universal Pictures, 1963.
Other Reference
CNN. "Moscow blast kills bomb expert." February 6, 2004: http://www.cnn.com/2003/WORLD/europe/07/10/moscow.bomb/index.html
CNN. "Two Moscow concert bombers kill 14." July 5, 2009: http://www.cnn.com/2003/WORLD/europe/07/05/russia.blast/index.html
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