Societies that know not the art of reading are doomed.
Nothing contains and transfers culture in its totality quite like a language and its literature.
Unfortunately, so I have reason, Internet time and read-a-book time are not compatible.
The system on which you're reading this moves at light speed. It produces a constant present of continues subhistorical event although so many events may seem historical the day they make the news, which is the day they have their greatest effect on perception. Orwell's observation comes to mind: "Oceania was at war with Eurasia; therefore Oceania had always been at war with Eurasia." Often enough, the news that most sticks in our craw turns out that which we have least patience for investigating: quick, on to the next news item!
Books, on the other had, draw from the dark and deep wells of time, and each contains a part of the universe of its author's mind, itself a reflection of thousands of facets of social reality and, time and again, a conduit as well of nature and the divine.
My list here is a grab bag.
No one has paid me to lock on a certain beam and read through its cyberspace and realspace bookshelves, and yet there themes evident. For example, having been for decades the most assimilated of Jews, this past year brought me to confront what that means in both a personal and communal sense. In that I inherited the small library kept by my parents, it took just two steps from my bed to reach for Sholom Aleichem's collection of short stories, The Old Country. Here is a spoiler of an excerpt, but one as cogent to contemporary politics as may be:
"The next examination," wrote Benjamin in his last letter, "is my Day of Judgment, because if I get less than a ninety-four I shall not be able to get in, and if I can't get in now I shall have to stay over another year. And who knows that will happen next year? Maybe next it will be even worse. What will I do then? What will happen to me? Why did I ever have to work so hard, wear myself out like this? Study so hard, starve day after day, freeze in unheated rooms and spend so many sleepless nights? I am not the only one to ask these questions. There are many others like me--Jewish boys--who stayed over from last year and can't get in because their average is not quite high enough. I don't know what I shall do . . ."
Yisroel the shammes went around in a daze. He could not understand why Benjamin's letters suddenly should have become so melancholy. He asked Yarachmiel-Moishe to write to Benjamin and ask him what he meant by "average" and "ninety-four." In short, he asked Benjamin to write and explain everything, and not to worry, but rely on the Eternal One who could do everything. And the main thing still was the he should remember he was a Jew, and if the Lord willed, all would be well . . ."
My mother, Molly, arrived at Ellis Island from Poland when she was four years old. While I was growing up, she taught Yiddish at the Chaim Weizmann School--otherwise a K-12 elementary schools, in Silver Spring, Maryland on Sundays, and I would play the piano for her music classes as well as an annual show. As a child, one thinks nothing of such an excursion--and Fiddler on the Roof, but of course that's just part of the routine for the People of Many Books as well as the makers of much fine and lively art.
In adulthood, however, and late for me, one may see it: the necessity of leaving Germany and Poland--and for others Russia and Ethiopia and other less welcoming quarters across the skin of the earth--and coming to American to be both one's self as a Jew as well as a person that is "just like everyone else."
With the Middle East continuously in the news, anti-Semitism rampant across the Internet, and conversion movements chipping away at the goodness and normality of just 15 million people, spending a little time with Sholom Aleichem and the characters of the shtettle seemed this winter most appropriate for me. Now here it is summer, and may you too have long days, especially if you have been remiss and the Jews are your own, for perhaps dwelling briefly in that old country's zeitgeist.
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Aleichem, Sholom. The Old Country: Collected Stories of Sholom Aleichem. New York: Crown Publishers, Inc., 1946.
Jewish life post-Holocaust has changed although cause would seem muddied by the horrific depopulation of European and Russian Jewry through mass murder and persecution. Reading Sholom Aleichem frames not the essential Jewish life, I think, certainly not the life of ancient Judea, but the part defined by aggregaton, anti-Semitism, uncertain status and persecution, and, in too many places too often, unpredictable violence.
If I have decoded AISH's calls for reversion and redemption about right, one might succeed too well at being "just like everyone else." The Old Country: Collected Stories of Sholom Aleichem and its companion Tevye's Daughters provide for memory and spirit many reminders about being different, not quite like everyone else, not better--oh goodness no--but refracted and resolved through the quintessentials of the Jewish experience.
Gould, Terry. Murder Without Borders: Dying for the Story in the World's Most Dangerous Places. Random House Canada, 2009.
"Guillermo Bravo was killed by people who saw they were at risk of losing the goose who laid the golden egg," she said. "And when I was 'goose' and 'golden egg,' a lot of people in Huila know which goose and which egg." (p. 53).
Every gangster--and all of similar ilk--has a reputation to uphold, and every reporter worth some salt will cover the bombings and the murders. How deep and how far they may go into the works--personalities, fronts, payoffs, bribes, etc.--has some to do with the demands of conscience, idealism, and love: if there's a practical lesson in Terry Gould's illuminating journey into the lives of whacked journalists, it may be that those who dare to jam up their subject's businesses catch a little extra scrutiny for it. I'll list the names of writers covered in Murder Without Borders but would note far more interesting the nouns surrounding their deaths:
- Guillermo Bravo Vega, Columbia
- Marlene Garcia-Esperat, Philippines
- Manik Chandra Saha, Bangladesh
- Anna Politskovskaya, Russia
- Valery Ivanov and Alexei Sidorov, Russia
- Khalid W. Hassan, Iraq
Again, those are the names of the journalists.
Caught in the edges of their research nets: presidents (guess which ones and buy the book to see if you were right), wealthy businessmen well known to their communities. Throughout, Terry Gould claims to have looked for the "what ticks" in the journalist who kept themselves in harm's way, but for those for whom breathing and reporting continue to twine, each chapter as well provides a guide back into the coverage that got a colleague killed.
Any volunteers for biography as a diving (in) platform?
For each of the journalists mentioned, Gould has exhumed the unique "culture of impunity" supporting the murder of journalists. Here, taken practically at random, is a sample of how the book works:
"In Khulna Division, most of the rice stored in the Mongla godowns was in the hands of three oligarchic Muslim families--Khulna's first modern godfathers. During the 1950s and 1960s the families had derived their power from collaboration with the Jamaat-e-Islami party that backed the Pakistani regime and had switched sides only when it became apparant that India would enter the War of Liberation on the side of a free Bangladesh. In the two years after liberation, the families had actually expanded their power, paying off corrupt officials in the struggling new regime of Sheikh Mujib. The head of one family had taken charge of Khulna's chamber of commerce as well as of the families' underworld operations in Mongla. He then took full advantage of Khulna's starving citizens by demanding property mortgages as collateral for food.
"To the twenty-year-old Saha, the injustice was so overwhelming that he began to question whether the best way to serve his country was as a scientist . . . ." (p. 123)
Gould's stories, sifting over the lives of dead "journos", probe into the state level countenance and structure of murders carried out to protect the corrupt. For bloggers and journalists drawing their quills from out of the wells of conflict and criminality--and don't those two go hand-in-hand these days?--they're instructional.
McInerney, Jay. How It Ended. New York: Alfred A. Knopf, 2009.
Back in my teen days, one writerly friend said to me, "In the old tragedies, everyone died. In the modern ones, everyone has to go on living with the awful thing that has happened." Place this volume of McInerney short stories in the thoroughly modern category. Guided by a most practiced hand and told straight, they well illustrate the principle noted--and there's not a clunker in the bunch
Morris, Benny. 1948: A History of the First Arab-Israeli War. New Haven and London: Yale University Press, 2008.
One of Israel's "New Historians", Benny Morris has taken punches from the pundits from Israel's right and left, so one may have confidence that the material exhumed and its presentation answer to no other than Benny Morris and the Almighty.
This is actually a thing dear to me among artists and intellectuals: freedom from other human beings and fidelity only to conscience and to God. Western academic and institutional life have made such a possibility for quite a few, and here and there, individual affluence too may help bolster this pure modality for the mind and spirit.
While turning over the good, bad, and ugly, Morris, however, notes a paucity of data made available by Arab states: we may not have the whole of their stories, yet, but by gosh the Morris telling keeps the birthing of Israel under a highly resolved microscope.
Naipaul, V. S. Among the Believers: An Islamic Journey. New York: Alfred A. Knopf, 1981; First Vintage Books Edition, 1982.
Not pretty, this travelogue, but compelling. Among complaints in the air about militant Islam is the notion that the answer to every problem within Islam is more . . . Islam--more religiosity, more direct reflexive adherence to the instruction manual and its adjuncts. For everyone. Everywhere. Naipaul attacks this from another direction, and that is observation of the vagueness with which other paths--development, contemporary education, planning--may be addressed by Islam's most zealous proponents in Iran, Pakistan, Maylasia, and Indonesia.
Ondaatje, Michael. Anil's Ghost. New York: Alfred A. Knopf, 2000.
The evil inherent in conflict produces mystery, starting with the appearance of murder that may not look at first glance like murder. Although the heat of conventional war has dissipated in Sri Lanka's victory over the Tamil, secrets and shadows remain stained on the landscape. Michael Ondaatje's book works from the earlier phase of the war and with tie-ins to forensic pathology and archeology, dips into the wells of mysteries within mysteries. Disappearances, murders, veiled threats, and the suddenly altered realities and political landscapes cast by low-intensity conflict make their appearance in this most atmospheric and engaging work.
Potok, Chaim. My Name is Asher Lev. New York: Alfred A. Knopf, 1972.
I think this one has aged and come from a time more innocent about art and its gifted and rebellious souls. Unique for presenting an Hassidic art business story as well as a story about cultural cross-fertilization and reformulation, I felt it read much like a son-to-mother family drama about privacy, boundaries, and betrayal.
In today anything and everything goes art and entertainment cultures, the notion of painting a Jewish crucifixion using one's own momma, hidden by interpretation but there in spirit, may as well flit right over to the painted Jewish Madonna known as "Madonna", leaving Chaim Potok's book somewhat adolescent and sweet.
We've become accustomed to far more shocking statements.
Funny thing though: I like it that the book is here, a contribution to a growing Jewish bookshelf, and may some day serve a guest for reading on a wintry day as its depictions of mood and weather as an adversary remain memorable.
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