I have a friend who lies to impress and to entertain himself and others. The forms are exaggeration and yarning. For example, this morning, he told me about a thunderhead beating up toward his work location from the south, and while he described the wind picking up and the air smelling like rain, I was checking my favorite realtime weather radar.
"Radar says the skies are clear north to Pittsburgh and south to Raleigh," I told him.
He either could not or would not hear that truth, choosing at some emotional and psychological level to block all but his "own private Idaho" of an unfolding drama. He believed or wanted me to believe that storm clouds were gathering and closing in above his head, and the wind was rising.
He wanted my approval, buy-in, indulgence, and obedience in light of the willow-o-whisps that bind cooperative, friendly (so far) relationships.
About twenty minutes later at the tying off of the call, I reminded him that the skies looked clear down to Norfolk, and he responded in line with his threatening cloud story, "Yeah, it looks like they're clearing off."
No harm done.
I got in a little observation about the man and about closed and open communication systems.
The yarn spinner wanted to wrap my perception of his reality in his invention, a bid for heightened attention, interest, and sympathy--also a bid for power.
Fortunately, I had Internet-borne weather radar.
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All well know that bullies are cowards and cowards as often as not liers, and altogether bullies, cowards, and liers become collectively thugs.
Few among the articulate may know as much better than Roxana Saberi, an American beauty queen, also an American-Iranian reporter once based in Tehran, the daughter of an American-Iranian father and a Japanese mother, in all, as Dickens might put it, the very picture of a cosmopolitan, well educated, and thoroughly modern--broadly Judeo-Christianized, Greco-Romanized--woman of the world whose life, in all of fifteen minutes, was turned upside down by the scrabbling and vainglorious nincompoops who, considering themselves the defenders of the Islamic Revolution in Iran, seem to have prized for their sadism a young women eager, at first, to prove herself innocent beneath their gaze.
Browbeaten, cajoled, isolated, threatened by threats of harm to herself and loved others, Saberi's kangaroo trials have her at first seeking to placate her tormenters, who managed to keep her in the infamous Evin Prison for three months, January 31 to May 11, 2009, on charges of espionage every bit as imaginary as my friend's impending early morning thunderstorm.
Now that I had been deprived of freedom, I valued it more than ever. Freedom to interview people and to write a book about them without being thrown in jail. Freedom to tell my parents my whereabouts. Freedom to use the bathroom when I wanted, to read a book, to have a pen and paper. Freedom to walk without a blindfold and to shut off the lights at night. Freedom from coercion to make a false confession and to spy in exchange for my release. The right to be presumed innocent until proven guilty, to remain silent, to have a lawyer. [1, p. 113]
How those privileged to live in the open societies take the fundamentals for granted!
Moreover, the same seldom delve into the horror attending the development and imposition of truly isolated and sealed communicating environments.
In Iran's Kafkaesque atmosphere, officers of the state hide their names, guards do not give theirs, the prosecution whips up charges to strut across the stage of a political theater it hopes to sustain with "white torture" or psychological illusion, intimidation, and leverage.
I have found the best and most simple template for much of what goes on within the Islamic Small Wars to be the child's tale known as "The Emperor's New Clothes."
In the Islamic civil psychoses, from Pakistan to Somalia and points Middling East, perhaps too few children dare to speak up and too many cowed adults conveniently nod their heads, resigned not merely going along with the cascading lies of lost and needy men armored in black leather as well as clerical robes, but also "cooperating" and becoming themselves the instruments of the devils from which they would otherwise flee.
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What a difference a year makes!
What the critic has said: "The film is careful to avoid explicit political statement, but its reticence makes its critique of the Iranian regime all the more devastating." [2]
The trailer: http://www.youtube.com/watch?v=5gLq3E4pRuU
The recently released film by Bahman Ghobadi, Roxana Saberi's boyfriend (also, the two share screenwriting credit on the property), No One Knows About Persian Cats, hits two marks for existing: 1) the atmosphere of the story is current, not comfortably historic, romanticized, fondly remembered in those old cabaret, footloose, and happy days ways; 2) the release, as with Saberi's book, comes out just ahead of the anniversary of Saberi's liberation.
On this day a year ago, close enough, one love bug languished in prison, and the other, figuratively at least, possibly literally as well, walked in anguish outside its walls.
Roxana Saberi's father, Reza, also bears mention in what looks like a coterie of honest to God--truly, honest and to God--freedom fighters.
While the father plays a noble role in the daughter's book, little mention--perhaps I missed it--is made of his vocation in living, which turns out that of an intellectual's writer in his own right [3]:
"Throughout history, humankind has been working, often subconsciously, toward discovering unity behind diversity and order behind apparent chaos. Somehow the universal consciousness, which is Existence itself, informs human beings, whether savage, children, uneducated or learned, that beneath the differences there are similarities, and behind the many there hides the One. Human beings have made this advancement toward unity through mythology, religion, philosophy, science, humanities, and also through mystical experiences."
Source: http://saberibooks.com/non-fiction.html
I'll gamble that the William James, Joseph Campbell, Abraham Maslow and other authors represented on my shelves are the same James, Campbell, and Maslow (I'll throw in the rare name drop of Ahmad Tafazzoli [4] too, so long as true Persian culture seems the thing and global associating helpful) on Reza Saberi's shelves.
While its gadflies and goads operate best elsewhere, the Islamic Revolution in Iran, toodling along in its own bipolar theonukedom, continues to maintain its pitiful yarn about Saberi's role in its dismal life. Chances are good, however, that the regime has chosen not to notice (officially) its role in Saberi's now colorful, real, and truthful handiwork, which recently published and distributed by Harper Collins will sit high on bookshelves worldwide for decades to come, witness to a regime proven dependent on lying most of all to itself.
Cited Reference
1. Saberi, Roxana. Between Two Worlds: My Life and Captivity in Iran. New York: Harper, 2010.
2. Scott, A. O. "No One Knows About Persian Cats (2009)". Review. The New York Times, April 16, 2010: http://movies.nytimes.com/2010/04/16/movies/16noone.html
3. Saberi, Reza: http://saberibooks.com/
4. Daryaee, Touraj and Mahmoud Omidsalar. The Spirit of Wisdom (Menog i Xrad): Essays in Memory of Ahmad Tafazzoli. Costa Mesa, CA: Mazda Publishers, 2004.
Also Recommended
Moaveni, Azadeh. Honeymoon in Tehran: Two Years of Love and Danger in Iran. New York: Random House, 2009.
Nafisi, Azar. Things I've Been Silent About. New York: Random House, 2008.
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